British Final of One Act Plays

Hosted on rotation by Scotland, Northern Ireland, Wales, and England.

About the Final

The British Final is the pinnacle of one-act amateur drama competition in the UK and Northern Ireland. Bringing together the winning companies from England, Ireland, Scotland and Wales, it celebrates excellence, ambition and the shared passion for theatre that unites us all.

Each year, the festival offers far more than competition. Companies perform on prestigious stages, receive detailed and respected adjudication, and share a unique weekend of theatre, friendship and inspiration. From innovative contemporary writing to classic storytelling, the British Final showcases the very best of amateur drama at its most creative and confident.

To reach the British Final is to join a tradition of outstanding performance and teamwork. For every company taking part, it represents recognition at the highest level — a reward for dedication, creativity and commitment to the art of theatre.

Winning a national competition is not just a triumph in itself; it is an invitation to stand alongside the finest companies in the country, to challenge your work against the best, and to be part of an unforgettable celebration of drama. For many, the British Final is not just a goal — it is an experience that stays with them long after the curtain falls.

The Next Final

Host
Wales - Mold
Venue
Theatr Clwyd
Dates
3–4 July 2026
Tickets
TBA
Adjudicator
Jennifer Scott Reid

Finalists

Finalists will be announced here

4 – 5 Jul 2025

British Final 2025, Lichfield

The 2025 British Final took place at the Garrick Theatre, Lichfield, adjudicated by Chris Jaeger. Nantwich Players won the Howard de Waldon Trophy, while I Know a Place by Tony Domaille received the Geoffrey Whitworth Award.

A year on from Perth, the British Final moved to The Garrick Theatre, Lichfield to decide the winner of the Howard de Waldon Trophy in 2025. Blessed with fine weather, the weekend offered a warm welcome and a chance to celebrate drama with friends old and new.

Friday evening opened with MC David White welcoming the audience and adjudicator Chris Jaeger. The Together Community Gospel Choir set the festival mood with three uplifting songs that had the audience joining in.

Nantwich Players (England) opened the competition with Lemons, Lemons, Lemons, Lemons, Lemons by Sam Steiner. Exploring a world limited to 140 spoken words a day, the play combined inventive choreography, projections and energetic performances to make a strong start.

Wales followed with PMA Theatre’s Echoes in the Static, set in a WWII radio station during a violent storm. Themes of love, loss and blurred reality were supported by atmospheric sound and a detailed, realistic set.

In his adjudication, Chris Jaeger praised Nantwich’s teamwork, pace and imaginative staging. Of Echoes in the Static, he commended its originality, strong design and effects, while noting that sound levels occasionally masked dialogue.

Saturday began with a civic reception hosted by Mayor Claire Pinder-Smith, followed by the exchange of gifts between the four nations. The morning concluded with a rehearsed reading of the Geoffrey Whitworth Award-winning play I Know a Place by Tony Domaille, presented by TACT.

Saturday evening opened with Northern Ireland’s Bart Players performing Neil Simon’s Visitor from Mamoroneck, a well-paced mix of comedy and poignancy centred on a troubled marriage anniversary.

Scotland closed the competition with Bon Accord Players’ Storytelling by Oliver Emanuel, a powerful piece using imaginative staging, lighting and music to explore identity and the healing power of stories.

Chris Jaeger praised the consistently high standard across the weekend, highlighting strong ensemble work, creative direction and confident use of pace and silence.

At the awards ceremony, the Friendship Quaich was presented to Teri McCarthy, inviting everyone to Theatr Clwyd, Mold, in 2026. With just one mark separating the top two, Nantwich Players were announced as winners of the Howard de Waldon Trophy.

The festival ended with a final supper in the studio theatre, where everyone agreed it had been another memorable British Final and looked ahead to meeting again in Mold.

Lemons, Lemons, Lemons, Lemons, Lemons performed by the Nantwich Players at the 2025 British Final (photo: Valentin Rotaru | VR Studio)
Bon Accord Players performing Storytelling at the 2025 British Final (photo: Valentin Rotaru | VR Studio)
PMA Theatre performing 'Echoes in the Static' at the 2025 British Final (photo: Valentin Rotaru | VR Studio)
Bart Players performing Neil Simon's Visitor from Mamoroneck (photo: Valentin Rotaru | VR Studio)